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| Scope: 居家必用事類全集 |
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《居家必用事類全集》
6  | 分間布白。遠近宜均。謂一字之內。下筆點畫須令均平。勿令留白處。闊狹相去不等。又不要如隸書之排無垂不縮用垂下一筆。既下履上至中間。則垂頭圓。又謂之垂露。如露水之垂也無往不收謂坡陂處。既往當復回。不要一拔使去如懸針直下筆正鋒而下。末處如針頭之懸如折釵股圓健而不偏斜如壁拆用筆端正寫字。有絲牽處斷頭起筆其絲正中。如新泥壁折縫尖處。鋒在中間如屋漏雨有兩說。一說寫字之點。如空屋漏孔中水滴一點。圓正不見起止跡。一說草字一畫直下。如漏壁中水痕流而向下。自然而然。初無做作。末處住頭亦圓如印印泥。如錐畫沙。自然而然。不見起止之跡每作一波。常二過折筆。三折筆不特波也。波與繞之及平畫皆然。張長史論書云。為一平畫。亦須縱橫有象。不可一直去每作一點。當隱鋒而為之即前畫屋漏雨法也左邊短少。必與上齊味字之類右邊畫少。必與下齊知字之類左欲去吻左邊起筆。不要有觜右欲去肩右邊轉角。不要露肩。古人謂之暗過快意銼鋒。使不怯滯橫畫起筆處。須銼令筆鋒平。雖筆尖做令平以刀截相似。顏如隸書謂之蠶領也側鋒取妍。晉人不傳之妙此用無之筆也。晉人皆用之。入墨時須轉側在硯上入墨須取筆頭圓正。乃可以書。名棗心筆。又名散卓。若二毫有羊毫雜。軟而無力。不堪寫字多力多筋者勝。無力無筋者病。多力多筋者是書。無力無筋者謂之墨豬形莫近似。骨氣不足。肉大多。如有肉之豬耳以腕運筆。不以掌運筆古人懸聦能盡一身之力也。大字高懸手。小字則以左手枕右手書指欲實。掌欲虛指實則有力。掌虛則運轉書不入木。不如不學下筆重也綿褁鐵法力藏在點畫之內。外不露圭角也沉著痛快不要忙而疾。不要緩而癡 |
| 588 | 朝廷立法於分析一事非不委曲。然有竊眾營私。卻於典買契中稱係妻財置到。或詭名置產。官中不能盡究。又有起於貧寒。不因父祖資產。自能奮立。營置財業。或雖有祖眾財產。別自殖立私財。其同宗之人必求分析。至於經州縣所在官府。累年爭訟。各至破蕩而後已。若富者反思果是因眾成私不分與貧者。於心豈無慊。果是自置財產分與貧者。明則為高義。幽則為陰德。又豈不勝連年爭訟。妨廢家務。及資備褁糧囑託胥吏賄賂官員之費耶。貧者亦宜自思彼實竊眾。亦由辛苦營運以至增置。豈可悉分之。況彼之私財。吾受之寧不有愧。苟能知此。必不至爭訟也 |
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